By George Grove
This can be a reissue of the 1st variation of George Grove's Dictionary of track and Musicians, which has because developed to develop into the biggest and so much authoritative paintings of its variety in English. The venture grew within the making: the identify web page of quantity 1 (1879) refers to 'two volumes', yet by the point quantity four seemed in 1889 there has been additionally a 300-page appendix and a separate index quantity. The dictionary was once a world venture, with participants from Paris, Leipzig, Berlin, Vienna and Boston along these dependent in Britain. It used to be 'intended to provide a good and lengthy said wish' bobbing up from the elevated curiosity in all facets of tune, which used to be 'rapidly changing into an important department of education', and to cater for the pro whereas being available to the beginner. it's a interesting record of musical tastes and values within the overdue Victorian interval.
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Additional resources for A Dictionary of Music and Musicians (A.D. 1450-1880): By Eminent Writers, English and Foreign. Volume 4
When the Symphony was expanded by the addition of the Minuet and Trio, a bond of connection seemed to be established; but still this bond was not at all a vital one, for the Minuet is one of the least characteristic elements of the suite-form proper, being clearly of less ancient lineage and type than the Allemande, Courante, Sarabande, or Gigue, or even the Gavotte and Bounce, which were classed with it, as Intermezzi or Galanterien. The form of the Clavier Suite movements was in fact too inelastic to admit of such expansion and development as was required in the orchestral works, and the type did not supply the characteristic technical qualities which would be of service in their development.
This is owing partly to the high pitch of technical skill which he attained, partly to the freshness and geniality of his ideas, and partly to the vigour and daring of harmonic progression which he manifested. He and Mozart together enriched this branch of art to an extraordinary degree, and towards the end of their lives began to introduce far deeper feeling and earnestness into the style than had been customary in early works of the class. The average orchestra had increased in size, and at the same time had gained a better balance of its component elements.
When he descends from this distant height, he assumes a cheerful and sometimes playful vein, as in the second principal subject of the first movement, and in the subsidiary or cadence subject that follows it. This may not be altogether in accordance with what is popularly meant by the name 'Jupiter,' though that deity appears to have been capable of a good deal of levity in his time ; but it has the virtue of supplying admirable contrast to the main subjects of the section; and it is so far in consonance with them that there is no actual reversal of feeling in passing from one to the other.
A Dictionary of Music and Musicians (A.D. 1450-1880): By Eminent Writers, English and Foreign. Volume 4 by George Grove